I recently visited Las Vegas and was taken by friends as a guest to experience The Sphere. The venue is stunning both inside and outside, with an exterior composed of LED panels forming one giant spherical screen.

The show we watched, “Postcards from Earth,” initially seemed impressive but revealed itself to be a carefully constructed piece of propaganda.

Inside The Sphere, the experience begins in a lobby where three Aura humanoid robots are present to interact with guests. These robots remain stationary and are guided by human facilitators.

The 37-minute film “Postcards from Earth” presents a narrative that humans have destroyed Earth through wasteful and selfish behavior, leading to their voluntary departure in space pods for the planet’s “healing.” The film portrays Earth as alive and emphasizes a historical pattern of human worship of Earth, which it claims has been followed by destruction.

The narration states: “For centuries, we have worshipped the Earth, building places of worship all over the planet.” This portrayal contrasts with reality, where humans worship God, not Earth.

The film also promotes evolutionary theory, stating that life evolved from the Earth itself, and emphasizes human responsibility for environmental damage through carbon emissions.

A critical irony in the film is that the footage depicting a vibrant, thriving Earth is filmed recently, yet presented as historical evidence of a bygone era. The film shows humans destroying Earth today with smokestacks and rubble, but these images were shot contemporaneously.

The Sphere costs $2.2 billion to build and has generated $500 million in revenue within its first year, exemplifying the irony: it uses significant resources while preaching conservation.

During the show, a guest remarked: “I wonder if that’s what happened here on Earth, that’s how life came to Earth!”

The film’s hidden messages, including references to the Moon’s far side (which appears unnervingly lit), suggest a deliberate narrative framework. This includes themes of an end to genetic heritage and replacement by machines, as seen in John Sandford’s book Toxic Prey, which portrays Gaia worshippers as a threat to humanity.